In a world where gravity grows stronger every day, a married couple, Ki-cheol and Mi-young, struggle to move their increasingly heavy bodies. They set out for work and a prenatal check-up. Despite the growing burden, they head out—one to work, the other to a prenatal check-up.

Prisoners of Gravity was a Canadian public broadcasting television news magazine program that explored speculative fiction — science fiction, fantasy, horror, comic books — and its relation to various thematic and social issues. Produced by TVOntario, the show was the brainchild of former comic retail manager Mark Askwith and writer Daniel Richler, and was hosted by Rick Green. The series aired 139 episodes over 5 seasons from 1989 to 1994.

Gravity is a comically tragic short film that playfully deals with the concept of reality tunnels. On the surface it is about friendship, love, space aliens, cocaine and handicap. Not necessarily in that order.

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Three generations of small town rebel-rebels crash into each other and burn in Todd Verow's new film, A Sudden Loss of Gravity. The small town of Bangor Maine is finally entering the 80's with a pile-up of new wave proportions. Based on true stories of the Northeastern town.

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A film about one woman's personal freedom and the price she pays to keep it.

It is a bilingual love comedy about a Japanese divorcee who has to take in an American male roommate to make ends meet. Mikuko Abe is stuck, both in life and in love. When her daughter sends her Vincent, an American visitor, the last thing she wants is to let him live with her. What she doesn't know is that opening up her door to this stranger will soon open up her world.

Gravity & Grace may be writer and critic Chris Kraus’ final and exuberant attempt at an artists’ career. Kraus is best known for her novels, (I Love Dick, Aliens & Anorexia, Torpor and most recently Summer of Hate), her art criticism (Video Green, Where Art Belongs), and her work in publishing subjective narratives through Semiotext(e)'s Native Agents Series, which she founded. Prior to writing, Kraus was an artist, actress and filmmaker. She made short, experimental, low-budget films, and one feature, Gravity & Grace; its failure on the market is chronicled in detail in her book Aliens & Anorexia.

To finally gain her father's acceptance, transsexual Leonie decides to return masqueraded as a man to the world of her childhood: the funfair. Though even the old owner of the ghost train has something to hide.